Biblio
« Naviguer Entre Le Texte Et L’Écran. Penser La Lecture À L’Ère De L’Hypertextualité ». Observatoire de l'imaginaire contemporain, 2004. <http://oic.uqam.ca/en/system/files/garde/56903/documents/naviguer_entre_le_texte_et_lecrana.pdf>.
. Network Society And Future Scenarios For A Collaborative Econonomy. Basingstoke: Palgrave Macmillan, 2014. Print.
. New Media In The White Cube And Beyond. Berkeley and Los Angeles: University of California Press, 2008. Print.
. « Night In A Box: Anne Carson's Nox And The Materiality Of Elegy. ». Material Cultures In Canada. . Wilfrid Laurier UP, 2015. pp. 51-64. Print. Material Cultures In Canada.
. No Logo : La Tyrannie Des Marques. Arles: Actes Sud, 2002. Print.
. « Not A Search For Truth ». The Atlas Group (1989-2004): A Project By Walid Raad. Köln: Buchhandlung Walther König, 2006. Print. The Atlas Group (1989-2004): A Project By Walid Raad.
. « A Note On Object-Based Composition ». Interface - Journal of New Music Research 20.3-4 (1991): 209-216. Print. Interface - Journal Of New Music Research.
. « Notes On An Epistemology For Living Things (1972) ». Understanding Understanding: Essays On Cybernetics And Cognition. New York: Springer, 2003. Print. Understanding Understanding: Essays On Cybernetics And Cognition.
. « Notes To Self: The Visual Culture Of Selfies In The Age Of Social Media ». Consumption Markets & Culture 18 (2015): n. pag. <http://dx.doi.org/10.1080/10253866.2015.1052967>. Consumption Markets & Culture.
. Notre-Dame De Paris. Paris: Garnier-Flammarion, 1831. Print.
. « Nouvelles Écritures Compositionnelles Et Informatique Musicale: Le Cas Des Patchs De Type Max/msp Et Pwgl ». . Scritture et re-mediazioni/Ecritures et re-productions 2014: n. pag. Print. Scritture Et Re-Mediazioni/ecritures Et Re-Productions.
. « Nox, Unboxed: Anne Carson’S Uncommon Long Verse ‘Epitaph’ (Or Economies Of The Unlost) ». University of Toronto Quarterly 89.2 (2020): pp. 188-218. Print. University Of Toronto Quarterly.
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