Export 13 results:
Titre Type [ Année(Asc)]
Filters: First Letter Of Title is N  [Clear All Filters]
Wiesenthal, Christine. « Nox, Unboxed: Anne Carson’S Uncommon Long Verse ‘Epitaph’ (Or Economies Of The Unlost) ». University of Toronto Quarterly 89.2 (2020): pp. 188-218. Print. University Of Toronto Quarterly.
MacDonald, Tanis. « Night In A Box: Anne Carson's Nox And The Materiality Of Elegy. ». Material Cultures In Canada. Thomas Allen et Blair, Jennifer. Wilfrid Laurier UP, 2015. pp. 51-64. Print. Material Cultures In Canada.
Carvalho, Guilherme, et Anne Sèdes. « Nouvelles Écritures Compositionnelles Et Informatique Musicale: Le Cas Des Patchs De Type Max/msp Et Pwgl ». Ivanka Stoianova et Orcali, Angelo. Scritture et re-mediazioni/Ecritures et re-productions 2014: n. pag. Print. Scritture Et Re-Mediazioni/ecritures Et Re-Productions.
Gere, Charlie. New Media In The White Cube And Beyond. Berkeley and Los Angeles: University of California Press, 2008. Print.
Schmitz, Britta. « Not A Search For Truth ». The Atlas Group (1989-2004): A Project By Walid Raad. Köln: Buchhandlung Walther König, 2006. Print. The Atlas Group (1989-2004): A Project By Walid Raad.
Von Foerster, Heinz. « Notes On An Epistemology For Living Things (1972)  ». Understanding Understanding: Essays On Cybernetics And Cognition. New York: Springer, 2003. Print. Understanding Understanding: Essays On Cybernetics And Cognition.
Klein, Naomi. No Logo : La Tyrannie Des Marques. Arles: Actes Sud, 2002. Print.
Vaggione, Horacio. « A Note On Object-Based Composition ». Interface - Journal of New Music Research 20.3-4 (1991): 209-216. Print. Interface - Journal Of New Music Research.
Hugo, Victor. Notre-Dame De Paris. Paris: Garnier-Flammarion, 1831. Print.